We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

ĒTH​Ę​R XXXVII - 1 0 0 1 0 (full album)

by ĒTHĘR ensemble

/
1.
MINI-CHACONNE 08:15
info
buy track
2.
WANTING BREATHING 02:54
info
buy track
3.
KÚ-DÛR, from ETHERHEIM 03:33
info
buy track
4.
WATER WALTZ 06:51
info
buy track
5.
DOOMHEIM, from ETHERHEIM 03:33
info
buy track
6.
VILÁG-BATHÔR, from ETHERHEIM 07:09
info
buy track
7.
HABANA BACH CLUB 03:21
info
buy track
8.
DEEP BLU TRANE 06:00
info
buy track
9.
TOOVOODOO 09:09
lyrics
buy track
Barasu ayo, omoni alawana mama kenya irawo e Barasu ayo, omoni alawana mama kenya irawo e o Bara Wayo, eke e echu oddara, omoni alawana mama kenya irawo e.
10.
MARTXOAK 8 03:33
lyrics
buy track
Gora Borroka Feminista
11.
FLAMENCCONA 03:06
info
buy track
12.
DREDDFUL-DÛR, from ETHERHEIM 03:54
info
buy track
13.
THE UNBORN 02:55
info
buy track
14.
AKĘRHEIM, from ETHERHEIM 02:28
info
buy track
15.
TOOVOODOO (slight return) 03:06
lyrics
buy track
Voice but NO lyrics
16.
ARGHIARĒNHEIM, from ETHERHEIM 06:15
info
buy track
17.
KØLOD-DÛR, from ETHERHEIM 03:24
info
buy track
18.
VERIDISHEIM, from ETHERHEIM 07:33
info
buy track

about

All this tracks comes from Suite 1 0 1, work with five movements (Ciaccona, The New Joker, TooVooDoo, 沐(Mu) and ĒTHĘRHEIM) composed by José Ángel Babiano and it has been recognized as Spanish Artistic Heritage since July of 2021.

1 0 0 1 0 contains some musical pieces what are they trying to show of all cultures around the world around all human civilizations.

With 1 0 1 J. Á. Babiano, Its composer, will try to face the challenge of
interrelating the notions of Destiny - Love - Death together with the stages of transmutation of matter (or substance) in obtaining the Philosopher's Stone (Nigredo - Albedo - Rubedo stages) through a continuous confrontation of the principles of Thesis - Antithesis - Synthesis in the process of musical creation and through a balanced comparison between Past - Present - Future in the procedure of
understanding and creating music, conceiving that Past as a way of proceeding musically guided by academic guidelines of the Western musical tradition, fundamentally Central Europe. Understanding Present as a way of expressing oneself at the same time or through newly created techniques in the musical procedure and imagining Future as a synthesis between Past and Present. Where likewise, the coexistence of purely Acoustic - Electronic - Electroacoustic means in the timbral
treatment of musical discourse can be observed and in which a musical performance based on the Interpretation of traditional material of the classical repertoire (such as, for example, the interpretation of the Chaconne for solo violin by J.S. Bach, played with violin too), in the Transcription or version of a work by another artist (the same Bach’s Chaconne transcribed for ensemble and solo violin trying to emulate a
concerto for violin and ensemble based on Bach’s Chaconne) and in the Creation or composition of a new work from scratch or from another previous work (for example, the composition of the musical material that will coexist with the original speech of Chaconne, creating a new work with its own essence but preserving the original essence). Throughout the work, you will be able to feel a use of rhythm in its three aspects: Smooth - Pulsed - Metric, that is, without the sensation of pulsation, with a sensation of pulsation but without a meter and with a sensation of pulsation and meter. 1 0 1 will be built harmonically from three concrete tones on which different modalities are developed: E (tone of Destiny) - D (tone of Love) and A (tone of Death), in different modes: major, minor, pentatonic, hexatonal, octatonic, doric, phrygian, blues scales or modes, Hindu ragas, self-created, etc. It will be possible to contemplate a continuous game between a musical development based on Harmony
- Melody - Rhythm against another development based on Timbre - Texture - Dynamics and against another development based on a synthesis between both conceptualizations of sound. And finally, it is worth highlighting the construction of a fractal nature of all the musical elements that generate and appear in Suite 1 0 1, from the cell or musical motif to the sections that make up any of the movements, to
the movements of the suite to the entire work.

(1 0 0 1 0 means 18 in binary code, 18 is the number of tracks of this album)

credits

released August 15, 2021

ĒTHĘR ensemble. Always the same team for all tracks.

José Ángel Babiano, piano, electronics and composition
Garazi Navas, accordion
Pau Torres, saxophones (sopran, alto, tenor)
Nerea Quincoces, percussion and drums
Sofía Castilla, violin
Alejandro Mingot, electric guitar
Xabier Peronié, electronics

This album was recorded by Juanan Ros and produced by J.Á. Babiano

license

all rights reserved

tags

about

ĒTHĘR ensemble image

ĒTHĘR ensemble Bilbao, Spain

ĒTHĘR ensemble is an artistic project born in Spain.

The artistic process includes: interpretation, transcription and own creation, all of this is based on improvisation as a creative engine.

All this gives ĒTHĘR a unique sound and artistic identity, extensive aesthetic versatility and great sensitivity. Crystallizing everything in a strong and very expressive stage presence. ... more

contact / help

Contact ĒTHĘR ensemble

Streaming and
Download help

Report this album or account

If you like ĒTHĘR ensemble, you may also like:

Bandcamp Daily  your guide to the world of Bandcamp

On Bandcamp Radio

Featured guests are the golden-voiced Baby Rose and psyche soulsters Brainstory.
listen now